MusicAlly: Bringing musicians and remote learners together

Here at Alt Ed Austin, we always—but especially in these difficult times—find joy in shining a spotlight on educators and artists who are using their time and talents to meet the evolving needs of learners in creative and generous ways. This guest post, from MusicAlly’s Caeli Smith, is music to our ears.

On March 12, 2020, I played what would be my last performance for a very, very long time. I savored the time on stage at Miller Theater at Columbia University, performing with internationally renowned pianist Simone Dinnerstein. It was an all Bach concert, and I luxuriated in the music and the feeling of communicating with my colleagues on stage. With no conductor, we used our bodies and eyes to send signals to each other and play in tandem. The evening had a special gravity. We all knew what was coming.

The next day, wham—my entire performance season was obliterated. I deleted everything from my calendar, too sad to remember what I was supposed to be doing that day. I spent a few days lying glumly in bed. It was obvious I needed a productive, creative project, and quick.

My passion has always been at the intersection of music and education. I’ve been teaching for 15 years, both privately and in New York City schools (and now as an adjunct professor at Juilliard, my alma mater). When Covid-19 hit, teaching was the only part of my life that continued uninterrupted. My students were game to move our work online. To my surprise and delight, I realized that one-on-one instruction with a dedicated student translates rather well to Zoom.

In fact, online teaching has made me a better teacher. I’m more concise with my instruction; more precise with the notes I type up to send to students after the lesson. And my students are better, too: more responsible, focused. There are some things I can’t do for them now. So they do it themselves.

Teaching on Zoom got me thinking about accessibility. In an instant, a student anywhere in the world can be connected to a world-class teacher in New York City or Paris. No waiting for the bus, no getting home too late to finish homework. An hour-long lesson is truly an hour’s investment, for both the teacher and student.

This summer, kids are stuck indoors, in many cases without access to summer camps, school programs, or outdoor play. They desperately need art, structure, and invested mentors. So I founded MusicAlly, which connects kids around the world with online music lessons and peers.

Classical music has a notorious accessibility problem. To break into the circuit, you need an instrument, weekly lessons, maybe summers away at Interlochen. It’s not cheap.

Everyone needs an ally when they’re studying an instrument – whether that comes in the shape of a teacher, a fellow student, or a dedicated parent. I realized that if my program could charge market rate for lessons with the highest-caliber teachers, we could use half of that money to fund a second lesson for another student who wouldn’t otherwise ever have quality private instruction.

All kids who study music know that the best part of playing an instrument is meeting and playing with other musical kids. The first time I played chamber music, at age 11, with three other middle schoolers, a lightbulb went off in my head. (Actually, it was more like fireworks.) This was the stuff. It was what I would do forever.

I designed a PenPal program to match MusicAlly students by age and experience. Our PenPals send weekly “what’s up” emails and twice-weekly practice videos as well as recording duets over Zoom. The correspondence keeps students accountable for their practice and encourages and motivates them in their progress.

MusicAlly has received applications from kids (and adults) in Japan, Romania, and across the United States. My dream is to build a global network of music students who connect with the best caliber of teachers, build relationships with other musical kids, and, most importantly, develop a life-long love of music. Even though live performance is on the shelf for now, music is never postponed.

Caeli Smith  |  MusicAlly

Media Monday: 6 Weeks to Mother's Day, a film about alternative education and unconditional love in Thailand

Media Mondays are back. There is so much interesting and important creative work in film, books, podcasting, and other media related to alternative education these days, we’d like to highlight it for our Alt Ed Austin community. One project that is uplifting and inspiring us at the moment is a documentary film called 6 Weeks to Mother’s Day by Marvin Blunte, currently available to stream on Amazon Prime and Kanopy.

The title doesn’t reveal the fact that the film documents a radical approach to education—a progressive, loving school in rural Thailand. The “mother” in “Mother’s Day” is the school’s founder, Rajani Dhongchai, known as Mother Aew. 

Moo Baan Dek, often called Children’s Village School, has been around for more than 35 years and is run on a democratic model, inspired by the Summerhill School in England combined with Buddhist teachings. They grow much of their own food, use solar energy, and have few modern amenities.

Most of the students Mother Aew and her staff nurture are poor, many are orphans, and about half have emotional, physical, or learning challenges. They study subjects they choose for themselves and make decisions in an all-school student council. They are able to pursue academics and practical skills that will enable them to live full and independent lives. In one especially powerful scene, Mother Aew offers warm, respectful acknowledgment of a student’s decision to transition from living as a boy to a girl. The school receives some support from the government but is sustained primarily by contributions.

The students are in tremendous need right now as a result of the pandemic. Even small contributions are tremendously helpful. Marvin let us know that he is still in contact with Mother Aew, and she’s always excited when a contribution comes in from outside the country and puts it directly to work providing food, clothing, books, and other materials for the kids. You can find information about the school here, which includes a page for donations.

I had the opportunity to talk with filmmaker Marvin Blunte while he was staying safe at his parents’ home in New York state a few weeks ago. What follows is an edited version of our conversation.


The film is a fascinating look into a beautiful community of kids and educators—and inspiring! One of the interesting choices you made was to have no narrator and no explanations of what is happening. Viewers are just immersed in the day-to-day life of the school. Could you talk about why you made that decision?

I’ve always been a fan of observational style filmmaking. The work of a French director named Nicolas Philibert is one of my models. He made a film called To Be and to Have, about a little rural school in France in 2002. When I was trying to come up with how to approach Mother Aew’s school, I went through a variety of options, including having a host or narrator to explain the place.

But if you look at a lot of films about other cultures and countries coming from the West, they’re often skewed with the filmmaker’s opinions. I didn’t want that. I wanted to present exactly what the school is like, and when the teachers and students saw the film, they seemed to think it was successful in that. They were initially worried about what I was going to film, and I warned them that it was my right as an artist to tell the story as I saw fit. But in the end they were thrilled.

I understand you kind of stumbled upon the school while working on another project. What inspired you to go back multiple times to make the film?

At first I didn’t understand anything because almost no one spoke English. I didn’t understand what was happening or how the school worked. One of the kids kept following me as I was walking around taking photos on my first trip. I kept trying to shoo the kid away, and I indicated to one of the teachers who spoke a little English that I was sorry about this student following me and not being in class. She said, “He’s following you because he’s interested in what you’re doing. Is he bothering you?” I said he wasn’t, and then she told me this is part of the democratic school process. He was learning what he wanted to learn. 

I left the next day to go to Cambodia to cover another story, but the school kept spinning in my head. The kids were in charge! They showed me around, served me my food, seemed to take full responsibility for me and, later, when I returned, for my crew. I went back for a short time to teach photography, so they could get to know me. I didn’t want to be a novelty—I wanted to become invisible while I filmed.

When you were filming, did you live within the community or go in and out?

We stayed in a traditional Thai home on the outskirts of the village. Part of the philosophy is that the students need to learn to farm and take care of themselves as survival skills for when they leave. I think you could put them anywhere and they would survive. But they do have some electricity that they generate so that they can have a computer lab—and so I could charge my cameras!

Beyond the portrait you show us in the film, what else would you like people to know about the school?

Well, I would encourage people to take a look at the school’s Facebook page for updates. I left some cameras with the students who were interested in photography last time I was there, and they’ve taken to social media.

Now, with the pandemic, they’re unable to get many donations and aren’t able to pay their teachers. You see in the film that a huge part of Thai culture is giving—the students themselves are taught to be generous as part of their Buddhist training. Unfortunately, it’s become almost impossible for others to give to them, but Mother Aew has created a project where the students are making face masks for the surrounding communities to protect people from the virus. That generous aspect of the culture is something I wanted to show people through the film.

6 Weeks to Mother’s Day is currently available on Amazon Prime Video, Google Play, and Kanopy.
Être et Avoir (To Be and To Have) is also streaming on Kanopy.

Shelley Sperry | Sperry Editorial

Hiding scary things from kids

Deborah Hale, founder and director of the Inside Outside School, kindly granted Alt Ed Austin permission to republish this timely and soul-searching piece. It originally appeared on her school blog earlier this month, soon after large protests against police brutality and racism began in Minneapolis, Austin, and many other communities throughout the world.

 
Recent events following the murder of George Floyd have offered me, a white woman born in the 1950s, an opportunity for self-reflection. I am not doing a good enough job of growing anti-racist children. I’ve always taken the approach with environmental education that we don’t focus on what is wrong like glaciers melting; instead we help children fall in love with nature, so that one day they will harness that love in a way that actively protects the environment. Playing in a creek, gardening, and feeding chickens are our methodology of raising an environmental activist.  We address race issues mostly through literature. We teach respect for everyone. The students study the Civil Rights movement, Jim Crow laws, slavery, the Underground Railroad, segregation, and prejudice. 
​ 
In her book Not My Idea: A Book about Whiteness, Anastasia Higginbotham shows a mother saying, “Oh no, not again.” Her daughter hears her and says, “Mom. What ‘not again?’” The mother doesn’t want to tell her child about the George Floyd, Breanna Taylor, Mark Ramos news break of the day. She wants to “hide scary things” from her kid. Boy, do I get that! I really want children to enjoy their sacred childhood, running, playing, laughing. The dangers they face at school are poison ivy, sharp rocks under their bare feet, snakes, and puss moth caterpillars. Their parents might worry about that a bit, but they don’t have to worry that their child will be murdered by police. I can protect them from the horrible, frightening details in today’s news, but because there is not a lot of diversity, I cannot help them fall in love with people of color through direct experience. Our school isn’t free, there is no free breakfast or lunch, we are not on a bus route. We lack socio-economic diversity. As a private school, we serve privileged children. That’s not what I want, but that is what I created.

Our family has recently had our own run-in with racist police brutality. Like many white grandparents, we have grandchildren, daughters-in-law, nieces, and nephews who are people of color. Our grandson was peacefully protesting in Austin and was shot at close range by a police officer’s rubber bullet.

Our grandson, now 20, is a photographer. The bullet hit his right arm. He required emergency surgery to save his arm. He has a huge scar which runs down the center of his Texas tattoo. He was holding a camera, not a gun. 

He is a peaceful man. He eats a vegan diet so that he may do no harm. I adore my grandchildren. They matter to me deeply and personally. Our grandson recently shared with us how difficult it has been for him, growing up black. I heard his pain, the things he has faced that our other grandchildren will never have to face because they are white. I do want them to know what happened to their cousin. I know it is a scary thing, but knowing about this is important. We cannot let them grow up thinking that the color of your skin doesn’t matter. It makes all the difference if your skin color isn’t white. I knelt in the grass on a recent Sunday at Huston-Tillotson College listening to the heartbreaking words of Brenda Ramos, whose son, Mark, had been killed by police in Austin 6 weeks earlier. Mark was unarmed and had his hands up in the air.  There has been no justice, no arrest. My heart is hurting for her and for all mothers and grandmothers whose children are people of color.

One of the reasons we don’t teach our students at IOS about deforestation and climate change is that these big problems can paralyze children into a fear that they can only shut down around. I feel this paralyzing fear about our world right now. Are we facing civil war? Are people trying to stir up such an unimaginable evil in the year 2020? I cannot remain frozen in fear. I have to use my voice to speak out against racism. It was not my idea, and if you are reading this, it was not yours either. We do not support it, but are we fighting it?

My grandfather introduced racism into our home when I was in kindergarten or first grade. He said the N word at the dinner table in reference to his co-workers at the post office. My mother bravely ripped her father in law a new one in front of his granddaughters. It made an indelible impression on me. I thank God that my mother shaped my belief system, not my grandfather. When we saw the race riots on the television, she did not send me out of the room. I saw. I see. I cannot look the other way.

Our next module in our Wit and Wisdom curriculum at the Inside Outside School is “Civil Rights.” We will open with this integrated theme in our pandemic world classroom, whatever that looks like. I will help shape the belief systems of my students. I will continue to teach them the Three Respect Agreements of our school: Respect Yourself, Respect Others, Respect the Environment. I will continue to teach them about a growth mindset and about the Dimensions of Human Greatness. But, when we talk about interaction, I want them to actually have interactions with people of color. I don’t want it to all be book learning. 

My semester reports are all written, and now I am trying to plan for a world where students can’t be closer than 6 feet from each other, where I may be teaching with a mask over my mouth and nose in triple-digit Texas heat. But just as importantly, I also am imagining how to plan a world where the student population at our school reflects the diversity of our wider community. I can stand against racism by not being satisfied with my white privilege. I can ask for the means to serve more intentionally in creating a more just and loving world. I can reach into the greater field of life where this school originated and find the next upgrade. Through our shared intention, let us see that manifesting. 

Please join me. Namaste.

Deborah Hale

#1 Tool for Pandemic Parenting

Today we’re excited to bring you some timely and practical parenting advice from a beloved figure in the Austin educational community, Sensei Jonathan Hewitt. As founder of Life Ki-do Martial Arts, Parenting & Life Education, Sensei Jonathan has worked with countless children, teens, and adults to cultivate inner peace, confidence, and happiness. In this guest post, he explains an exceptionally effective technique for navigating these difficult times as parents, educators, and caregivers.

“Pandemic Parenting” is not a term any of us ever expected to hear, let alone experience! Yet here we are.

If you’re feeling overwhelmed by the relentless daily details of managing kids AND school AND work AND home while ALSO feeling the greater stress that comes along with all the unknowns of a world pandemic, you’re not alone. It’s a lot for all of us.

The thing is that there’s no way to fix or manage everything in our lives in a way that ever feels 100 percent resolved, especially now during a pandemic.

So, the #1 tool not only to help yourself but also to help everyone around you is to manage yourself first. How often have we heard “Put your oxygen mask on before helping anyone else”? If we think about it, our natural parenting instinct would always be to help our kids before ourselves. Wouldn’t we be terrible parents if we thought about ourselves first? How could we even think about giving ourselves oxygen before our kids, who are so small and so vulnerable and unable to take care of themselves? It seems so counterintuitive to fight this natural protective instinct.

However, in these moments of intense survival, data shows that parents do need to give themselves oxygen first to stabilize themselves BEFORE they can be helpful to their kids.

The biggest objection I hear from parents is “When”?! When can I find time to take care of myself? Especially in our current world, when kids are home and you are juggling a million details and schedules and emotions 24/7. It’s hard.

So, my #1 Pandemic Parenting tip is called Continuous Breathing. The reason it’s my #1 tip right now is that you practice it WHILE doing your everyday activities.

The goal of Continuous Breathing is to regulate our own nervous system. While we can’t completely control our outer world, whether that’s in our own home or in this greater world pandemic, we actually do have a way to directly impact our own nervous system, which in turn can have a big influence on our surroundings.

I first learned about this from my world-renowned martial arts teacher, Vladimir Vasiliev. I figured that if he uses it successfully during full-on combat, it can also work for the triage we are doing in our own homes these days.

As you’ve probably experienced, when we are under stress, our breathing tends to be shallow and stuck. This puts our body and mind in survival, fight, flight, or freeze mode. Our bodies are hardwired to respond this way for moments of physical survival and emergency. But to be in this mode on a regular basis throughout the day creates havoc and chaos on our nervous system, which in turn feeds the havoc and chaos around us.

Continuous Breathing allows us to counterbalance the survival stressed-out mode by sending a powerful message to our nervous system to be calm, strong, and fluid. At Life Ki-do, we call this “being like a River.”

If you allow it, Continuous Breathing can become your own private coach and best friend reminding you to slow down, be present, and flow with your inner world and the world around you.

The good news is that our bodies automatically breathe for us to keep us alive. But we are not harnessing the great power the breath can really give us. We can be more than just alive. We can use the breath to really nurture our physical, mental, and emotional well-being. 

First, we need to become aware and conscious of our breath. It takes a shift of our awareness to really tune in and listen to the inhale and exhale that’s already happening. Can you feel the air going in your nose and out your nose or mouth? Can you hear the breath inside your head and feel it in your body?

Now that you are aware of your breath, the second step is to gently adjust it to nurture the River flow state in that moment. If you are feeling stress or tension, can you slow down your inhale and exhale to calm your nervous system? If you are feeling sluggish, can you speed it up to wake up and energize your system? If the rhythm of your breath feels right, then focus on that rhythmic inhale and exhale, and it will deepen the calm of your nervous system.

The best way to make Continuous Breathing part of your life is to attach it to a habit already in your routine. Taking a shower is a great example. While showering, try to focus on your Continuous Breathing. Notice your breath and gently adjust it by slowing it down, taking it deeper, or speeding it up to find your perfect rhythm for that moment. Feel your breath. Hear your breath.

The next step is to focus on Continuous Breathing during other daily activities. Maybe it’s emptying the dishwasher, taking the dog for a walk, folding laundry. Once you’ve developed a practice during everyday routines, it should be easier for you to access it during moments of greater stress and fatigue.

The best part is that the breath is ALWAYS there for you. It’s something you can really rely on. It can be a best friend who never lets you down. It can be an anchor that helps you to find flow and calm even in the storm. 

For a video on Continuous Breathing and for free Pandemic Parenting Workshops, please visit https://www.lifekido.com/pandemic-parenting.

Sensei Jonathan Hewitt | Life Ki-do Martial Arts, Parenting & Life Education

Alternative education post-pandemic: Where are we going from here?

We have an opportunity to create a new and better normal if we consider the needs of all learners
in re-entry. . . . As natural and human-made systems collide in unprecedented ways, young people
are growing up in a world where novelty, complexity, and mutuality are the norm. How we respond
in adaptive, thoughtful, inclusive, and creative ways will be the most important lessons we teach.

—Eric Tucker and Tom Vander Ark
“How to Reopen Schools: A 10-Point Plan Putting Equity at the Center”
GettingSmart.com, April 29, 2020

We’ve come to the fourth article in our series on the adaptations and transformations that are happening in schools here in Austin as a result of the sudden necessity of distance learning during the COVID-19 crisis. We started with a broad view of education in emergencies, then looked at how our own ATX family of alternative schools is handling social-emotional learning and injecting creativity and play into their evolving learning plans. Now we are going to look at a topic that’s on our minds a lot these days: What does the future hold? 

Without question, the way we educate our kids (and they educate themselves!) in the United States and across the globe will feel the impact of this moment going forward. Education reformer Tom Vander Ark sees cause for optimism “post pandemic.” He describes schools that embrace more personalized learning and flexibility based on competency. As we might expect, he anticipates more home-based and hybrid learning, with as many as half a million students just not returning to their regular schools. “Hundreds of parents will turn their homeschool into a microschool,” says Vander Ark. He also sees a boom in project-based learning:

. . . with state testing cancelled and a lot more flexible time, many learners are engaging in interest-based learning and impromptu projects. School closures have been a reminder that learning can happen anywhere. When kids return to school, some schools will respond with more project-based learning connected to local problems and opportunities.

Earth Native Wilderness School students turn their backyards and kitchens into botany classrooms.

And in very good news for our alternative learning communities, Vander Ark also sees the end of more than 30 years of preoccupation with testing as the main basis for measuring learners’ and schools’ progress.

Douglas Harris, an academic who studied the dramatic changes in New Orleans’s schools after Hurricane Katrina, says there are general lessons about how educators and students adapt to crises that we can learn from the New Orleans experience. One likely outcome of the pandemic is that there will be a few tools of distance learning that both students and teachers decide they like, and those tools will stick around. But it’s unlikely, Harris thinks, that there will be a dramatic move toward either homeschooling or fully virtual learning because there are too many disadvantages for the majority of families. Unlike Vander Ark, Brown also doesn’t think competency-based learning will expand dramatically in the long run. But there will be some surprising long-term indirect results of the pandemic, including putting more teachers and parents in the role of coaches, with students taking greater control of their own learning.

In our own survey of 35 Austin-area alternative schools, we found that all the educators are thinking about and planning for the future right now, with many focused on expanding just the sort of student-directed learning both Brown and Vander Ark are talking about.

Educators in the community feel it is their responsibility to support parents as far as possible in their new roles. In some cases that has meant continuing schooling online so that kids have a familiar routine and parents are able to focus on other tasks, says Eustace Isidore of 4Points Academy. And in other cases, it means guiding parents in setting up homeschooling, as is the case at Bridges Academy Austin.

One of the most consistent issues in our survey comments was dedication to student-directed learning. Cathy Lewis of Long-View Micro School explained:

Long-View has a cultural norm of “driving your own learning.” We take this very seriously as we are cultivating intellectually curious and driven learners. This norm was taken to a new level when we had to pivot to learning at home . . . We have seen some kids step up to new levels: We have one learner helping us develop content and several others choosing to support younger kids by meeting with them virtually or giving them feedback on work they’ve turned in.

Laura Sandefer of Acton Academy added that she believes parents have been “happily surprised” about what independent learners their kids are and that they do have the skills to drive their own school projects, even at young ages.

Clearly, the success of schooling right now depends on flexibility on all sides, and schools are trying to accommodate families’ needs. Acton Academy West Austin (the Westlake campus) shortened its spring break to help keep kids on track, and at Ascent, another Acton Academy, each family is getting one-on-one support tailored to their needs. Abrome and other Agile Learning Centers are working in collaboration to add new, optional offerings for learners.

A strong, kind, smart, and powerful Acton West Austin student opens up her home toolbox to hone some maker skills.

Beyond learners and families is the larger community, and the schools we surveyed are reaching out to connect there, too. La Tribu preschool is now opening to enroll students in a Spanish-language virtual learning program that mixes live classes and other activities. Jenny Alperin of Guidepost Montessori at Brushy Creek shared that they have created an online platform that is free to the general public so any family can join in interactive learning and find other resources. Long-View is also opening its micro school to kids beyond the regularly enrolled students who might like to take just a few classes.

So, what will the future hold for Austin’s alternative schools?

Some schools, including International School of Texas, AHB Community School, La Tribu Preschool, and Kirby Hall School report that they have seen an increase in connectedness during the crisis, with students and families feeling grateful for their communities in a way they hadn’t anticipated.

We see in all the schools’ responses a lot of hope for the future and the next phase of alternative education in Austin. There’s the hope, expressed by David Darcy of School on the Rise and Anne Remme at Speech-Language-Play, that small alternative schools, especially micro schools, will be among the first to reopen because the small class sizes mean less risk and easier social distancing.

David Darcy begins morning lessons live via laptop from a School on the Rise classroom.

Angela Griffiths of Acton Academy Northwest Austin says she hopes that parents everywhere will see more clearly all the realities their kids are facing. “It’s my sincere hope that they look at what their kids are being put through and say to themselves . . . ‘There’s got to be a better way.” And maybe that better way includes alternative education models.

Looking toward the future, journalist Anya Kamenetz reports that education researcher Maria Litvinova says the safest and best future is what most of our alt schools are doing already: keeping class sizes as small as possible. In Denmark’s International School, right now they’re sticking to 10 students per class. Other researchers suggest that staggering calendars for different groups of students, changing attendance policies, and improving both digital learning access and social and emotional support for all students are prerequisites in post-pandemic schools everywhere. Not only academic support, but also mental health support for students, says James Lane, Virginia’s state superintendent of public instruction, will be the top priority when kids return to brick-and-mortar schools.

In the meantime, educators, parents, community activists, and students are all thinking about the future and hoping that new and better ways of learning and connecting will emerge from this unusual time. As author Rebecca Solnit has observed in A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster, sometimes the worst of times can provide flashes that give us “a glimpse of who else we ourselves may be and what else our society could become.”

Shelley Sperry  |  Sperry Editorial

Creativity and play in distance learning: Alternative schools help Austin kids thrive during COVID-19

Bet your bottom dollar we work best under pressure.
(Yo teachers, I wanna like THANK YOU!)
Get your yoga pants set.
Gotta earn that paycheck!
On your mark, get set, let me go, let me Zoom!

—Emily Glankler and Akina Adderley
Zoom! A "Shoop" Parody for Teachers, Griffin School

 
We’re back again with more survey results from 35 Austin-area alternative schools. The first article looked at the broad topic of education in emergencies, and the second tackled social emotional education in this period of social distancing. This week we’re diving into the importance of creativity and play in many forms.

The educators who contributed to our survey suggest that making space for creativity in the curriculum—and unstructured play with other students—is an essential component in their child-centered learning strategies. As a recent article by illustrator Louis Netter noted, we are all necessarily turning inward at this moment, “to the vast inner space of our thoughts and imagination,” and we feel more keenly than ever how important the arts and creativity are to our well-being.

We’ve probably all seen some of the outpouring of creativity and humor from students and teachers on YouTube, Instagram, TikTok, and Facebook—with music, creative writing, theater, and art taking center stage. Locally, Griffin School’s Emily Glankler and Akina Adderley jumped into the fray, offering students a funny, timely comment on Zoom school life in a musical parody of Salt-N-Pepa’s “Shoop.” 

For isolated theater kids, unable to mount their productions in person, Skybridge Academy’s Brian Oglesby is donning a new costume each day to turn the ordinary into something a little more special, explaining that there’s a lot of joy in this innovation-by-necessity:

It’s like we’ve landed on this desert island. It sucks on this desert island. When we discover that by rubbing a couple of sticks together, you can make fire, there is triumph and a certain joy. Sure, it would be better not to be stranded, . . . but in the meantime, look at this cool thing we did.

Oglesby adds that his students are developing flexibility and even more creative thinking in a school that prides itself on always pushing boundaries. “Other schools are having to cancel their productions, and my heart breaks for them. We’re trying to figure out how to perform through video conferencing. It’s going to be its own weird thing, fit to the form.”

Play and child-led discovery—from giant bunnies to a virtual Earth Day

Lulu Bautista of Corazón Neighborhood Preschool offered us some valuable insight into her deeply held beliefs about the value of play, creativity, and discovery. Lulu calls what she does “Respite Care,” and it helps relieve children’s anxieties. It’s clear that lessening anxiety is one of the most important aspects of creative engagement in all the schools we surveyed.

How do schools do it? At Corazón, they use both tactile and virtual learning:

We've taken a trip to the moon . . . the children "hand" me items through the screen to pack in our group bag, and then we all buckle in our seatbelts and blast off, calling out the things that we see along the way and floating around our screens in slow motion! We've used our magic wands to turn each other into everything from sleeping robots to gigantic bunnies.

Tactile, “real world” play that moves kids away from screens for part of the day is a priority at many schools. For Bloom Preschool kids, dancing together and reading together are as necessary to the curriculum now as ever, even though it’s done at a distance.  At Acton Academy, educators are creating care packages of project supplies and other items that help with inspiration. Skybridge is putting together weekly “grab bags” of science and art supplies. And Ashley Reinhardt says WonderWell’s teachers have designed experiences around easy-to-get household items as well as curated learning kits they provide. For example, they give little ones who need some fine-motor-skill development an ear of corn covered with coffee grounds and a toothbrush!

WonderWell distance learning supply kits ready for “contactless” pickup by preschool families

The contents of an art supply kit made available for Skybridge teens to pick up at specified times

Anne Remme of Speech-Language-Play is creating an entire set of short videos for Facebook that allow kids to be involved in a virtual playgroup with reading, “table time” art activities, cooking, outside play, and even pet care.

Back at Corazón Neighborhood Preschool, children are encouraged to choose their favorite items at home and make up games with them spontaneously, which can lead to a lot of new learning opportunities on the fly. “One child created a pretend marshmallow store and roasted marshmallows to sell to us. But she only had enough for a few of us!” says Lulu. “We walked through our problem solving skills, and together the children came up with an idea so that others could partake. We did this all from behind screens, all through the magical world of pretending that children live and thrive in.”

At International School of Texas, older kids had the chance to do similar experiments in adapting their ideas to the world of screens. They held an art contest in a virtual art gallery and they also created a whole-school Earth Day project online.

Art with Ms. Bo: The International School of Texas art teacher shows kids how to make and use stamps from recycled objects found around their homes.

With so much time spent in virtual classrooms and chat rooms, it’s inevitable that students of all ages will get creative with colorful and crazy virtual backgrounds and morphing faces. Pam Nicholas of Huntington-Surrey says they are using an app that turns people on Zoom into hilarious creatures. They use it sparingly, but it works to bring the community together through laughter. Chris Ready, assistant head of school at Austin’s Academy of Thought and Industry, said:

Our student government is coming up with weird contests to keep the student body engaged. We are going to launch a ‘guess that student's workspace contest.’ David, our student body president, has sent out a survey asking everyone to vote on what should be done with his facial hair . . . 

Kids at Huntington-Surrey are revising their school yearbook to include the new world of distance learning they’re exploring together.

What’s also happening, says Kori McLain of Lake Travis STEM Academy, is that educators and students are becoming closer as a result of sharing and getting a peek at each other’s spaces, including all the “learning forts” kids are building. And students always come up with new ways to add some pizzazz to ordinary meetups. “We celebrated a teacher’s B-day by surprising her with virtual B-day backgrounds, and we all wore funny hats and sang ‘Happy Birthday,’” says McLain.

We’ll let Lulu Bautista have the last word on this topic. She says:

Our version of creativity comes from the same place it has always dwelled, the children. . . . [it] centers on finding ways to ground ourselves in the familiar and hold onto something consistent to help children retain a sense of joy and relief from uncertainty when we gather together, even if that means virtually.

Shelley Sperry  |  Sperry Editorial